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Lolita , UK D. Stanley Kubrick. Stanley Kubrick played up the dark humor in Nabokov's novel about a middle-aged man infatuated with a pubescent girl, but the subject was still a shocker.

The X-rated UK film's Hollywood premiere disallowed young star Sue Lyon years old at the time of filming from attending.

Although Nabokov was appointed to write the screenplay for his own lengthy novel, Kubrick rewrote with co-producer James B.

Harris Nabokov's unacceptable versions of the script in a more sanitized fashion. The age of Lolita in the novel was raised from 12 years old to that of a typical high-schooler - probably 14 or 15, to avoid some predicted controversy.

The threat of censorship and denial of a Seal of Approval from the film industry's production code and the Roman Catholic Legion of Decency overshadowed the film's production.

The black humor and dramatic story of juvenile temptation and perverse, late-flowering lust was centered on a pubescent nymphet and a mature literature professor in an aura of incest.

Rather than a film of overt sexuality and prurient subject matter, its content was deliberately mostly suggestive, with numerous double entendres, whisperings, meaningful facial expressions, and metaphoric sexual situations, with carefully-placed fades to black.

Its most troublesome character who assumed various disguises, was actually Clare Quilty Peter Sellers - an implied pedophile and child pornographer.

The film opened with an erotic pedicure scene under the credits of obsessed, middle-aged boarder and literature professor Humbert Humbert James Mason cradling the title character's foot and then lovingly and devotedly painting her toenails with bright enamel - hinting at pedophilia.

Sue Lyon starred as the title character Dolores Haze - a tempting, precocious, iconic, underaged nymphet nicknamed Lolita - first viewed in the garden in a two-piece bathing suit and sun-hat, and eyed by the passion of Humbert.

The film was noted for the scene of their overnight stay at a hotel and Lolita's early morning coquettish suggestion to play a game that she learned at camp, while seductively twirling the hair on his head with her finger followed by a discrete fade to black.

Mondo Cane , It. This Italian shockumentary was castigated for exploiting footage of lurid cultural practices from around the world.

This popular Italian-made globe-trotting, amateurish "shockumentary" was luridly advertised as a travelogue of "truth stranger than fiction" - with xenophobic glimpses of dark-skinned, bare 'savages' engaged in grotesque and bizarre religious rituals, tribal ceremonies, animal cruelty, and lurid scenes of human perversity!

The film was castigated as pornographic, trashy and vulgar, although by today's standards would be considered extremely tame. Often faked, reconstructed or manipulated footage with misleading narration included:.

The film inspired a series of sequel "Mondo" films or "shockumentaries" and dozens of imitators, including Rolf Olsen's Shocking Asia and Conan Le Cilaire's Faces of Death, Part 1 series of films.

It was the progenitor of "snuff" films, execution videos, hard-core pornography, and even reality TV. Bonnie And Clyde D.

Arthur Penn. One of the most stylistically influential movies of the '70s was accused of glamorizing Depression-era bank robbers Bonnie Parker and Clyde Barrow.

It was produced by Warner Bros. The landmark film by post-WWII director Arthur Penn who had previously directed The Miracle Worker , The Train uncredited and replaced by John Frankenheimer , and Mickey One - also with Beatty was ultimately a popular and commercial success, but it was first widely denounced and condemned by film reviewers for glamorizing the two Depression-era killers Faye Dunaway as Bonnie Parker and Warren Beatty as Clyde Barrow , and only had mediocre box-office results.

The Dust-Bowl period was effectively evoked, although the loose adaptation was also an inaccurate and fictionalized retelling of history.

When they first met, the real Bonnie 19 years old and Clyde 21 years old weren't glamorous characters, and their romantic involvement was questionable.

She was already the wife of an imprisoned murderer, and he was a petty thief and vagrant with numerous misdemeanors.

In the film, the story of Clyde's rise and self-destructive fall as an anti-authoritarian criminal gangster was clearly depicted. Both tragic outlaw figures exemplified 'innocents on the run' who clung to each other and tried to function as a family.

The film, with many opposing moods and shifts in tone from serious to comical , was a cross between a gangster film, tragic-romantic traditions, a road film and buddy film, and screwball comedy.

In the autumn of , it opened and closed quite quickly - enough time for it to be indignantly criticized for its shocking violence, graphic bullet-ridden finale with its slow-motion ballet of death and for its blending of humorous farce with brutal killings.

Schiff added that Kubrick's film might better have been titled Quilty , since the director had allowed the character of Quilty to "take over the movie".

Lyne states in the DVD commentary that he prefers location shooting even though it is more difficult in some respects; and that the home of Charlotte Haze was filmed in Wilmington, North Carolina.

Lolita premiered in the United States on Showtime on August 2, Due to the difficulty in securing a distributor, the film received a limited theatrical run in the US on September 25, , in order to qualify for awards.

James Berardinelli praised the performances of the two leads, Irons and Swain, but he considered Griffith's performance weak, "stiff and unconvincing"; he considered the film better when she no longer appeared in it and concluded: " Lolita is not a sex film; it's about characters, relationships, and the consequences of imprudent actions.

And those who seek to brand the picture as immoral have missed the point. Both Humbert and Lolita are eventually destroyed—what could be more moral?

The only real controversy I can see surrounding this film is why there was ever a controversy in the first place.

Commenting on differences between the novel and the film, Charles Taylor, in Salon , observes that "[f]or all of their vaunted and, it turns out, false fidelity to Nabokov, Lyne and Schiff have made a pretty, gauzy Lolita that replaces the book's cruelty and comedy with manufactured lyricism and mopey romanticism".

All music is composed by Ennio Morricone [20]. From Wikipedia, the free encyclopedia. Theatrical release poster.

Mario Kassar Joel B. David Brenner Julie Monroe. Release date. Running time. Melinik Michael Goodwin as Mr. Beale Angela Paton as Mrs.

Leigh Annabelle Apsion as Mrs. United States portal France portal Film portal s portal. British Board of Film Classification.

Retrieved February 2, Box Office Mojo. Retrieved August 15, The Numbers. The New York Times. Retrieved March 28, The Reality Effect: Film culture and the graphic imperative.

New York: Routledge. The Sydney Morning Herald. Retrieved January 2, It doesn't surprise me. When his script for Remains of the Day was radically revised by the James Ivory — Ismail Merchant partnership, he refused to allow his name to be listed in the credits"; Hudgins adds: "We did not see Pinter's name up in lights when Lyne's Lolita finally made its appearance in Pinter goes on in the March 13 [] letter [to Hudgins] to state that 'I have never been given any reason at all as to why the film company brought in another writer,' again quite similar to the equally ungracious treatment that he received in the Remains of the Day situation.

He concludes that though he never met Nabokov, 'indeed I knew "Lolita" very well and loved it. Hudgins also observes that Schiff was brought in after the efforts by Dearden October 21, , Pinter September 26, , and Mamet March 10, and that Schiff "has no previous scripts to his credit" Very much in the thrall of Peter Sellers , he allowed Quilty to take over the movie, with Sellers improvising vast swatches of dialogue.

If you look at the Kubrick movie today, the Sellers stuff still seems amazingly energetic and funny and alive; the rest of the story plods by comparison.

The other strange choice in the Kubrick film, of course, is Sue Lyon , who, even though she was only fifteen when she played Lolita--the same age as our Dominique Swain--could easily have passed for a twenty-year-old porno star.

Dominique can easily pass for a twelve-year-old, which we all think is a very good thing. Rotten Tomatoes. Retrieved August 24, Retrieved July 16, July 31, Retrieved March 25, British Film Institute.

Archived from the original on December 6, Retrieved May 27, The A. Archived from the original on October 16, Music Box Records. Retrieved December 18, Works cited Gale, Steven H.

Gale, Steven H.

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